Levin, Thomas Y. 1999. “Caputher Gespräch: Über Formen Der Wissensvermittlung [[Edited Transcript of a Discussion With Jürgen Trabant (Berlin), Mosche Barasch (Jerusalem), Helga Nowotny (Vienna) and Kurt W. Forster (Zurich), Broadcast Live on Austrian Television]”. In Wissensbilder: Strategien Der Überlieferung. Ulrich Raulff & Gary Smith, Eds., 341-62. Berlin: Akademie Verlag.

Levin, Thomas Y. 1996. “Iconology at the Movies: Panofsky’s Film Theory [Revised and Expanded Version]”. The Yale Journal of Criticism 9 (1): 27-55.

Levin, Thomas Y. 1995. “Nationalitäten Der Sprache - Adornos Fremdwörter: Multikulturalismus Und Bzw. Als Übersetzung”. In Multikulturalität: Tendenzen, Probleme, Perspektiven. Michael Kessler & Jürgen Wertheimer, Eds., 77-89. Tübingen: Stauffenburg Verlag.

Levin, Thomas Y. 2010. “Five Tapes, Four Halls, Two Dreams: Vicissitudes of Surveillant Narration in Michael Hanecke’s Caché [Revised and Expanded Version]”. In A Companion to Michael Hanecke. Roy Grundmann, Ed., 75-90. London: Wiley-Blackwell.

Levin, Thomas Y. 1999. “ Vor Dem Piepton: Eine Kleine Geschichte Des Voice Mail ”. In Wissensbilder: Strategien Der Überlieferung. Ulrich Raulff & Gary Smith, Eds., 279-318. Berlin: Akademie Verlag.

Levin, Thomas Y., and Michael K. Kessler. 1990. “Vorwort”. In Siegfried Kracauer. Neue Interpretationen. Michael Kessler & Thomas Y. Levin, Eds., VII-XIII. Stuttgart: Stauffenburg Verlag.

Levin, Thomas Y. 1990. “Archäologie Des Exils: Siegfried Kracauers Briefe an Daniel Halévy [Edited, Annotated and With an Introduction] ”. In Siegfried Kracauer. Neue Interpretationen. Michael Kessler and Thomas Y. Levin, Eds., 345-417. Stuttgart: Stauffenburg Verlag.

Levin, Thomas Y. 1991. “Neue Kracauer-Texte: Eine Bibliographische Meldung”. In Jahrbuch Der Deutschen Schillergesellschaft 35, 460-62.

Levin, Thomas Y., and Michael W. Jennings. 2008. “Publishing Industry and Radio [=Introductory Essay]”. In Walter Benjamin, The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media. Jennings, Doherty & Levin, Eds., 343-52. Cambridge, Mass.: Harvard UP.

Levin, Thomas Y. 2008. “Film [Section Introduction]”. In Walter Benjamin, The Work of Art in the Age of Its Technological Reproducibility. Jennings, Doherty & Levin, Eds., 315-22. Cambridge, Mass.: Harvard UP.

Levin, Thomas Y., Michael W. Jennings, and Brigid Doherty. 2008. “Editor’s Introduction”. In Walter Benjamin, The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media, 1-8. Cambridge, Mass.: Harvard UP.

Levin, Thomas Y. 1990. “ Der enthüllte Kracauer: Ein Forschungsbericht ”. In Siegfried Kracauer. Neue Interpretationen. Michael Kessler & Thomas Y. Levin, Eds., 229-47. Stuttgart: Stauffenburg Verlag.

Levin, Thomas Y. 1995. “Introduction to The Mass Ornament”. In Siegfried Kracauer: The Mass Ornament, 1-30. Cambridge, Mass.: Harvard UP.

Levin, Thomas Y. 2016. “We Have Never Been Present (at Least Not to Ourselves)”. In Presence - A Conversation at Cabaret Voltaire, Zurich. Philip Ursprung, Mechtild Widrich & Jürg Berthold Eds., passim. Berlin: Sternberg Press.

Levin, Thomas Y. 2002. “Rhetoric of the Temporal Index: Surveillant Narration and the Cinema of ’Real Time’”. In CTRL [Space]: Rhetorics of Surveillance from Bentham to Big Brother. Thomas Y. Levin Et. Al Eds. , 578-93. Cambridge, Mass.: MIT Press.

Levin, Thomas Y. 2001. “Jeff Guess: ’Fonce Alphonse’”. In CTRL [Space]: Rhetorics of Surveillance from Bentham to Big Brother. Thomas Y. Levin Et. Al Eds. , 612-13. Cambridge, Mass.: MIT Press.

Levin, Thomas Y. 2010. “Surveillance, Aesthesis, Literacy”. In Twenty-Five: An Anthology for the 25th Anniversary of BIT Teatergarasjen. Marie Nerland, Ed., 189-93. Bergen (Norway): BIT Teatergarasjen.

Levin, Thomas Y. 2009. “Alegato Por La Violencia Sonora”. Cultura/S/[=/Weekly/Cultural/Magazine/Of]/La/Vanguardia/(November/4,/2009).

Levin, Thomas Y. 2008. “Agencies of Vision: Remarks on Selected Works by Denis Beaubois”. In Video Logic, 14-21. Sidney: Museum of Contemporary Art.

Levin, Thomas Y. 2008. “The Eye Reconfigured - New Apparatuses”. In Fotografia E Novas Mídias. Antonio Fatorelli, Ed., 146-60. Rio de Janeiro: Editora Contra Capa.

Levin, Thomas Y. 2006. “Surveillant”. In Sensorium: Embodied Experience, Technology, and Contemporary Art. Caroline A. Jones, Ed. , 212-15. Cambridge, Mass.: List Visual Art Center and MIT Press.

Levin, Thomas Y. 2006. “Film As Critical Practice: Thomas Y. Levin, Keith Sanborn and Anthony Vidler in Conversation With Jean-Michel Rabaté”. In Rrrevolutionnaire: Conversations in Theory, Vol. 1. Gregg Lambert & Aaron Levy, Eds., 151-71. Philadelphia: Slought Books.

Levin, Thomas Y. 2003. “’Tones from Out of Nowhere’: Rudolf Pfenninger and the Archaeology of Synthetic Sound””. Grey Room, no. 12: 32-79.

Levin, Thomas Y. 2002. “’Töne Aus Dem Nichts’: Rudolf Pfenninger Und Die Archäologie Des Synthetischen Tons”. In Zwischen Rauschen Und Offenbarung. Zur Kultur- Und Mediengeschichte Der Stimme, 313-55. Berlin: Akademie Verlag.

Levin, Thomas Y. 2001. “’Where My Tape, man?’: Denis Beaubois and the Performative Politics of Panoptical Détournement”. In Die Wachsame Gesellschaft. Internationaler Medienkunstpreis 2001 , 80-99. Karlsruhe: ZKM/SWR.

Levin, Thomas Y. 2000. “’You Never Know the Whole Story’: Ute Friederike Jürß and the Aesthetics of the Heterochronic Image”. In Ute Friederike Jürß: You Never Know the Whole Story, 54-87. Stuttgart: Cantz Verlag.

Levin, Thomas Y. 2000. “Die Rhetorik Der Überwachung: Angst Vor Beobachtung in Den zeitgenössischen Medien”. In 7 Hügel: Bilder Und Zeichen Des 21. Jahrhunderts. Band IV- Zivilisation: Städte-Bürger-Cybercities. Die Zukunft Unserer Lebenswelten, 49-63. Berlin: Henschel.

Levin, Thomas Y. 1999. “Constant’s New Babylon: New Babylon Today [A Panel Discussion With Hilde Heynen, Frédéric Migayrou and Mark Wigley]”. FROM, no. 1: 15-33.

Levin, Thomas Y. 1999. “Indexicality Concrète: The Aesthetic Politics of Christian Marclay’s Gramophonia”. Parkett, no. 56: 162-69.

Levin, Thomas Y. 1996. “Geopolitics of Hibernation: The Drift of Situationist Urbanism”. In Situacionistas: Arte, política, Urbanismo Situationists: Art, Politics, Urbanism. Libero Andreotti and Xavier Costa, Eds., 111-46. Barcelona: Museu d’Art Contemporani.

Levin, Thomas Y. 1995. “Iconology at the Movies: Panofsky’s Film Theory”. In Meaning in the Visual Arts: Views from the Outside. A Centennial Commemoration of Erwin Panofsky (1892-1968). Ing Lavin, Ed., 313-33. Princeton: Institute for Advanced Study.

Levin, Thomas Y. 1995. “Before the Beep: A Short History of Voice Mail”. In Technophonia: Essays in Sound 2, 59-67. Darlinghurst: Contemporary Sound Arts.

Levin, Thomas Y., and Michael Linn. 1994. “Elements of a Radio Theory: Adorno and the Princeton Radio Research Project”. Musical Quarterly 78 (2): 316-24.

Levin, Thomas Y. 1993. “Integral Interpretation: Introductory Notes to Beethoven, Kolisch and the Metronome”. Musical Quarterly 77 (1): 81-89.

Levin, Thomas Y. 1991. “The English-Language Reception of Kracauer’s Work: A Bibliography”. New German Critique, no. 54: 183-89.

Levin, Thomas Y. 1990. “For the Record: Adorno on Music in the Age of Its Technological Reproducibility”. October, no. 55: 23-47.

Levin, Thomas Y. 1989. “Dismantling the Spectacle: The Cinema of Guy Debord”. In On the Passage of a Few People through a Rather Brief Moment in Time: The Situationist International 1957-1972. Elisabeth Sussman, Ed., 72-123. Cambridge, Mass.: MIT Press.

Levin, Thomas Y. 1988. “Walter Benjamin and the Theory of Art History: An Introduction to ’Rigorous Study of Art’”. October, no. 47: 77-83.

Levin, Thomas Y. 1987. “Siegfried Kracauer in English: A Bibliography”. New German Critique 41: 140-50.

Levin, Thomas Y. 1987. “From Dialectical To Normative Specificity: Reading Lukács on Film”. New German Critique 40: 35-61.

Levin, Thomas Y. 1985. “Nationalities of Language: Adorno’s Fremdwörter. An Introduc­tion to Theodor W. Adorno, ‘On the Question: ’What Is German?’’”. New German Critique 36: 111-19.

Levin, Thomas Y. 1984. “The Acoustic Dimension: Notes on Cinema Sound”. Screen (London) 25 (3): 55-68.

Levin, Thomas Y. 2008. “Five Tapes, Four Halls, Two Dreams: Vicissitudes of Surveillant Narration in Michael Hanecke’s Caché”. In Function/Fiction:/Utilitarian/Images/Reconfigured./Vincent/Bonin/&/France/Choinière,/Eds., 59-70. Montreal: Les Éditions Dazibao, Centre de Photographies Actuelles / Edipresse.

Levin, Thomas Y. 2002. CTRL [Space]: Rhetorics of Surveillance from Bentham to Big Brother. Cambridge, Mass.: MIT Press.

Levin, Thomas Y., Walter Benjamin, Michael W. Jennings, and Brigid Doherty. 2008. Walter Benjamin - The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media . (with Brigid Doherty & Michael W. Jennings) Cambridge, Mass.: Harvard UP.

Levin, Thomas Y. 1990. Siegfried Kracauer. Neue Interpretationen . (with Michael Kessler ) Tübingen: Stauffenburg Verlag.

Levin, Thomas Y. 1989. Siegfried Kracauer: Eine Bibliographie Seiner Schriften . Marbach am Neckar: Deutsche Schillergesellschaft.